My latest pattern, Maras, was inspired by a linoleum floor I saw during a trip to the Sacred Valley in Peru. It's a dynamic, repeatable design that translated into the most amazing of wraps.
Worked in the new yarn Roslyn from Cascade, (65% wool, 35% silk) it's so drapey and lovely.
The pattern utilizes the technique of locked floats, which makes the back of the piece appear almost woven.
Members of TKGA have access to this pattern in the latest issue of CAST ON Magazine (Winter 15/16).
Sign on to the TKGA website HERE and join/download/cast on!
It all starts with yarn. In this case, I was enamored by the random craziness and color-changing fun of "Crazy" by Stonehedge Mill. My goal was to create an interesting (but not overly complicated) project that would show off this unique product.
I'm really pleased with the result. the pattern isn't difficult to knit, and the finished cowl is visually interesting. I'm not sure which part is more appealing; the color shifting yarns or the angled stripes. Either way, it's a cowl that I enjoyed making and am excited to share with you.
Is it a difficult pattern? Not at all. In fact, I found it to be perfect for knit night and tv watching. The color changing yarns kept cheering me on as I worked, and I found that a lot of progress was made each time I sat down to work. With this truly random yarn you have no idea what the next row will look like!
The pattern is available as a .pdf download HERE for $4.00. It requires techniques including provisional cast on, knit/purl, increase/decrease, following a simple chart, kitchener stitch, and applied i-cord.
During the past few weeks two of my projects have been released. A magazine article and a knitting pattern:
In the Autumn 2014 issue of Ply Magazine, I write about spinning, and the Men's Knitting Retreats. (and of course, as I try to write here about the article, I realize how difficult it is to write about writing!) haha
Also, the latest Cast On magazine features my latest pattern, Thara. This is a fun colorwork cowl that was inspired by Thai weaving.
The studio continues to buzz with activity. Working hard on the book, and I have a few other designs clicking their way through the process on their way to publication. This fall promises to be busy, and I'm looking forward to moving through the "to do" list that's filled with such exciting things!
The inspiration for the Aymara cowl arrived the day I saw Jorge del Carpio's Kickstarter campaign for Fibras Andinas. I read the story of the Chilean herders tending their flocks 11,000 ft above sea level, and learned how the development of this new project would provide an opportunity for the purchase and use of the fiber from the animals.
Over the next few months, I exchanged emails with Jorge and learned even more about his passion for helping his community. Once Nicole Snow from Darn Good Yarn joined on as the U.S. distributor, it was decided: I was going to design something special with this yarn.
The outside of the cowl is inspired by traditional Aymara weaving patterns, and the inside features round after round of adorable llamas! It's knit on circular needles, and the beginning and end are grafted together hiding all ends and making the entire piece reversible and oh-so-cozy.
This project takes two skeins each of 2 colors of sport weight yarn from Royal Llama (available in the United States via Darn Good Yarn). Is it soft, you ask? Most definitely. The fiber is de-haired llama. It's warm, luxurious, amazing to work with, and wearing the finished cowl is like getting a big hug from a long-lost friend. Of course, another benefit is knowing that your purchase of Royal Llama yarn helps support the Chilean llama herders!
Skills needed | Provisional cast on, knit, purl, working in the round, stranded color work, Kitchener stitch.
You will find the pattern on Ravelry HERE.
The pattern will be available in a kit available through Darn Good Yarn and Fibras Andinas.
Aymara is available in English & Spanish as an individual pattern (via the link below):
This is the second time I have had the pleasure of designing for Quince and Co.! This year I wanted to design a cowl that was simple enough for someone just venturing into the world of lace. Reversible, without being overly-complicated. A weekend of swatching and pondering yielded this new design.
Araminta requires basic knitting knowledge, including working in the round, increasing/decreasing, and finishing. Know how to knit, purl, yarn over, do simple decreases? Know how to do a twisted knit stitch? That's about all you need to know to make this cowl!
...And for those who have yet to work with Quince and Co. yarn, I encourage you to visit your LYS or order some online and give it a try. The colors are beautiful, and this particular yarn is soft, rustic, and familiar.
Of course, once you have the entire 14 pattern collection, it'll be hard to decide what to make first. There are options! Colorwork, cables, lace, pleats, asymmetrical wraps... the list goes on and on!
All the photography is stunning (as usual). It, along with the e-book layout is done by the uber-talented Carrie Bostick Hodge.
The yarn, I should say, is lovely. Owl is a favorite of mine because of its rustic feel. Not only does it work well with twisted stitches, it makes cables sing! Just a few weeks ago, Quince and Co. announced Owl Tweet! - the tweed version of Owl. I saw it at Stitches WEST and loved it. Perhaps someone will work Araminta in Tweet so I fall in love all over again.
I designed the Modern Motif Pillow for Universal Yarn's new book: Nazeli Garden 5: Bring Your Garden Inside. The book contains 18 designs for the home. One side is covered in a floral motif and the opposite side uses a geometric design created after studying Georgian era garden plans.
Before sending the samples out to the publisher I took a few photos, and Dewey wanted to join the fun! He's so adorable I had to share one of those too.
The entire piece is worked in the round, and is finished with applied i-cord and sealed with a zipper.
The project is worked in the round and requires basic knitting knowledge, including knit/purl, i-cord, and finishing, including the installation of a zipper.
Learn more about the project HERE or visit the Ravelry page HERE.
San Francisco has mild (but unpredictable) weather. Traveling across the city folks who live here know it's wise to always carry a jacket. In the cooler times of year, a finely knit cowl or scarf also comes in handy. Inspired by architectural detail in San Francisco's War Memorial Opera House, Cabaletta is a fine knit that uses two different yarns from Crystal Palace to create a lightweight (but warm) cowl.
The name “Cabaletta” is a term in Italian opera defining a brisk aria that usually follows a more contemplative one. The word was derived from the Italian “Cavallo” (horse) and often the music accompanying the cabaletta can be reminiscent of a horse’s gallop.
I love the way this cowl feels. It's the perfect weight... I also think that for colder climates this design would be nice if the height was doubled.
The pattern is available on Ravelry (via the link below).
There really is nothing like working with handspun yarn. And wearing a hat made from woolen-spun yarn is a comfy, cozy, toasty treat!
I designed this hat for PLY Magazine's Winter 2013 issue using woolen spun 3-ply yarn made with Kyle William dyed BFL in the colorways Silver Thaw and December Sky (often available in the shop HERE).
Carefully spun by NY spinner Aaron Bush, it was really a treat to be able to make a hat using materials that had been so lovingly prepared.
The fibers come in 4 ounce quantities, and the hat uses under 100 yards of each color. When Aaron spun up the fiber, he blended the colors together by creating rolags of built-up tufts of fiber. This method created an evenly-varigated finished yarn.
If you aren't yet a spinner, talk to other fiber friends, or check artist sites like www.etsy.com for options. Compare the yarn you're considering to the details in the project, and if it's close, chances are, it'll make a nice finished hat.
And for those who prefer commercially spun yarn, a light worsted or DK yarn should fit the bill. This pattern is a little more difficult than others to re-size since the pattern repeat is so large. Altering needle or yarn size will change the finished dimensions.
...and beyond my small contribution, I have to tell you. PLY Magazine is chocked full of thoughtfully worded articles and beautiful images. Want to learn to spin? Already an expert? Seriously, this magazine has a lot of great information (it even includes some great product reviews!)
I hope you'll check it out while you can!
While so many fiber folks are posting, sharing, and commenting about their fluffy finds at Rhinebeck, I'm here in the studio working on layout and final edits for the upcoming ebook: Good Deeds, Volume One: Hats"! The project is almost ready, so I better get back to work. I just wanted to say "Happy Rhinebeck!" to everyone who is lucky enough to be there.
While you're perusing the fiber, perhaps you'll pick up a couple skeins of yarn to knit a hat for charity?
Full details about this design are included on the pattern page HERE.
This men’s half-zip pullover uses a gently shifting motif to create a modified houndstooth motif. Carefully tailored with set in sleeves, and solid cuffs and hem, a zipper finishes off the neckline and completes this timeless design.
This pattern is worked flat and requires basic knitting knowledge, including knit/purl, increasing, decreasing, reading charts, stranded knitting, and finishing.